Cannes gets an added dose of drama as Netflix makes its festival debut

Opening the 2017 Festival is French director Arnaud Desplechin's Ismael's Ghosts

The red carpet has been rolled out and the stars are taking their photo calls as the aristocracy of the film industry gathers at the Palais des Festivals in Cannes for the 70th annual film festival. From Afghanistan to Zambia, film makers, buyers, screenwriters, distributors, critics, academics and cineastes bunker down together for 12 days of communal cinematic consumption in dark rooms interspersed with heady business and critical discussion in the glare of the Mediterranean sunlight.

Opening the 2017 Festival is French director Arnaud Desplechin’s Ismael’s Ghosts, which is screening out of competition and kicks off a line up that includes 49 films from 29 countries, 12 of them by female directors.

Also Read : Deepika shines bright like a diamond at Day 2 of Cannes

The festival groups its selection (invited from more than 1,000 submitted films) into a number of strands: “the Competition”; “Un Certain Regard”; “Director’s Fortnight” and “Critic’s Week” all of which have their own programme of films. Complementing these strands are special events such as “Midnight Screenings”, “Cannes at 70” screenings, “Cannes Classics” and “Out of Competition” screenings – including, this year, a new thriller from Roman Polanski.

Thierry Frémaux, the Festival’s artistic director, is in charge of selection – and this year his choice is characterised by a lower number of Hollywood films than usual. He has also gone for a more pronounced political tone in the films, on themes such as migration, sex trafficking and the refugee crisis. Another feature of this year’s selection is the screening of films financed by media streaming platforms, including Netflix and Amazon, and the inclusion of “cinematic” television dramas. Read more

Box office may see Rs 400-cr collection as Bajirao clashes with Dilwale

With Dilwale and Bajirao Mastani releasing simultaneously on pre-Christmas weekend, Shah Rukh Khan and Sanjay Leela Bhansali are set for a major box office clash. But this is not the first time one of India’s top actors and one of India’s finest directors are fighting it out on the big screen.

In 2007, Khan’s Om Shanti Om, a reincarnation drama with all the trappings of a masala flick, trounced Bhansali’sSaawariya, an interpretation of Fyodor Dostoyevsky’s White Nights. With Rs 90-crore business, OSO became one of the year’s highest-grossing movies. On the other hand, Saawariya failed to recover money.

While history seems to be in favour of King Khan, no one can rule out Bhansali who has directed blockbusters likeDevdas and Hum Dil De Chuke Sanam. Both the movies have been mounted on Rs 100-crore-plus budget and both sides have put up unprecedented marketing campaigns, leading to a nail-biting contest.

Analysts believe both the films have what it takes to be a top-grosser in Bollywood. However, Dilwale seems to have an upper hand on the opening day. “It seems very safe to assume that Dilwale will top (Bajirao Mastani) as it offers wholesome entertainment for the masses. Bajirao may appeal more to the urban audience,” said Suniel Wadhwa, an independent distributor and box office analyst.